Category : Painting and Art
The Manifesto of the new "sure-realism"
Summary of THE MANIFESTO OF SURE-REALISM "Mixing the sensitive to the intelligible" FOREWORD Like in life process, art is preceded by genesis and gestation periods. The appearance of new forms is likened to encounters, mixtures, sometimes even "hodgepodg ", giving birth to creations bearing unpredictable, unique and singular images, productions that look like only the changing appearances of time and space. There is no repetition or ersatz, nor imitation or reproduction, but rather births with countless shapes and colours, varying according to times, places, cultures and personal imaginary, images made in many circumstances. From ancient times to the present day, painters have often sought to represent stories, reproduce scenes and paint stories that had a direct bearing on time, and posings that showed a double dimension: not only at the temporal level relating to capture time but also at the level of space through layout and postures of objects and characters represented. The message exposure refers to a time sequence, in other words, it is "a time deposit in space". Formerly, the true painter of history would be, according to "Gustave Courbet", leader of the French realist movement (1819-1877), the one who would focus only on his immediate environment around him to paint the present and the habits of society, works that are related and situated in time, it is expressing an event, a story in its temporal unfolding. Leon Battista Alberti (1404 - 1472), the famous theoretician of arts, stated in his treatise of aesthetic reflection treatise on "De pictura" painting, that the biggest problem for a painter is not to paint a colossus, but a story (historia). The story for Alberti first means simply a narrative which is intrinsically linked to the technique of representation that he describes and theorizes, where perspective, time and space are associated through the Albertian theory of history. What's going on with Alberti, story painting or perspective? The story will always be narrating what will remain in the memory, but the means to achieve that differ. We no longer seek to associate images and places, but to affect. Put literally, we try to set in motion the listener’s soul, adding value to movement. So, the static system image-place no longer works. Instead, the passage from one place to another, gesture and body movement will take place. Narrating the story is shown through gestures and bodies. The perspective space allows for it in painting: it shows a scene that different characters share, according to relations that no longer stick to hierarchy, but rather according to the convenience of each one of them with regard to the story being told. The sure-realism : Historical extension? Since prehistoric painting the pictorial image has been directed in multiple directions through the exploration of different dimensions. At first, the painting was characterized by its bi-dimensional representations and a rigorous frontality. With the renaissance, in the 14th century, painters such as Leonardo Di Vinci, Michelangelo or Raphael brought painting to its third dimension. The physical discoveries of Albert Einstein at the beginning of the last century consider that the fourth dimension is not only a spatial dimension but also a temporal one, time is a dimension. This mathematical concept of the fourth dimension has also been popularized in art and artists have become so cerebral enough to want to suggest it on a flat canvas (cubism). Contemporary productions seem to be able to go beyond all limits: To look, to observe, to examine the dimensions differently and to express them differently. The contemporary metamorphoses of the suggested space have been expressed in the virtual art of the 2000s, such as pictorial Synthetism or the current digital art, these new experiences have led the relationship between the dimensions of space to the limits of the unimaginable. With digital means, many attempts are planetary, the space is virtual and knows no borders, it is tenfold. However, I realized the possibility of being able to distance this fourth speed to go beyond the infinite and to sing my joy of wandering in an " Umpteenth Dimension". One dimension that is reflected through the dimensional infinity of the imaginary that we possess is the "infinite variable" of human consciousness, this dimension allows us to travel through time and space to join the past to the future through the present, this dimension offers us an analytical and panoramic view of the whole and allows us to examine and dominate all situations through its multiple forms and different angles of view to be able to transform them into synergy spatial and temporal without limits. Today, with regard to the question of temporality and its relation to the artistic work, I am rather interested in the opportunities to expand and increase the fields of analysis and vision of time and space being the core data of human perception, as well as multiply times and spaces as stories related to the technique of representation and plan construction. Being aware of re-establishing the bonds between the present and the past, joining distant or different spaces, connecting the number of "pairs of opposites" that coexist in us and in the universe, I took the liberty to develop the image of the temporal to sneak into another timeless dimension, a way to mix the sensible to the intelligible. This is a new space-time and analytical approach that could develop our perception habits which are too narrow and limited in time and space, innovate a new plastic writing capable of producing new results, understanding diversity, bringing together the opposites to reunite inconsistencies. The sure-realism : Sneaking into Timeless ? To better understand diversity, it was necessary to start gathering opposites to be able to bring together inconsistencies, agree on mixing the different human attitudes functioning, expand our fields of viewing things in time and space beyond the present moment. , connect historical elements, old wisdoms with modern practices to produce a new result. To carry out this experiment, it is necessary to equip oneself with a more retrospective and more extensive panoramic perception, which does not concern the present in its immediate environment, which is no only the certainty reduced to sensation and which it is not a mere contact with the outside world, but one perception that projects itself in the continuity of space and time with the discursive faculties of the mind and the power of a thought that is both intuitive and rational, one perception capable of mixing sensibility with understanding and imagination. It is a new approach whose creative inspiration foundation will allow us to create new relationships between the various forms considered disparate or opposed by nature, which will open up the possibilities to innovate a plastic writing that can handle all styles, harmonize all differences and therefore democratize the same pictorial space. This is the first manifesto of a new "sure-realism". This new approach is able to pile up trends and develop our too tight or limited perceptions habits in time and space, it provides us with the means to express the historical heritage, harmonize the cultural diversity and therefore blur the boundaries between fantasy and reality of the present moment for a richer and deeper visibility. This is a new synthesis of human, social and cultural diversity. The sure-realism : A new linguistic innovation ? At the level of linguistic description, the expression of this new concept of "sure - realism" rests on the choice to import a link between two elements: - First, the adjective "sure" is to signify and express something in which one can trust, on whom one can count, but also to say something with certainty, to be convinced of the truth, of the accuracy, the realization of something. -Second, the term "realism", is to design this ability of observation, analysis and expression of reality with the pragmatic sense. Artistically, it refers to the artistic and literary movement appeared around 1850 in France, with pictorial creations that address the themes of the contemporary world (social, racial, religious, historical ...) and who is interested in things, people and situations. The two elements form the couple "sure- realism", a new composite word (neology), which has only a purely auditory connotation with the artistic movement of "surrealism". The "sure-realism" would therefore be a term that expresses a certain reality, more extended in time and space, by which it is proposed to engage in deeper and more comprehensive thematic analyzes to conceive of artistic or literary productions capable to project the synergy of the antagonists. It is the actual functioning of a combination between the sensible and the intelligible. The sure-realism, a new style, a technique? Plastically, the umpteenth dimension allowed the mixing of different styles, the assembly of several sources, the multiplication of a variety of shots, the creation of spatial and temporal fragments and the mating of a variety of techniques. It involves seeing from far and wide, dominating space and time, developing the fundamental data of human perception, adding narratives related to technique and the composition of space, rhythm, colors and especially the way of building, it is about offering the possibilities to gather the distant, the incoherent ones and to harmonize the opposites and to offer a broad and eternal ballad in the infinite dimension. Based on these studies and observations, I developed a new style. My paintings represent a personal vocabulary, a cocktail of realism, surrealism, expressionism, impressionism and sometimes even abstract obsessions as expressed in "Emotional Energy", a mixture that is based on joining several sources, multiplying plans and creating spatial fragments, hence the search for a creative cooperation between the various plastic components of the pictorial space, a mixture of styles, animated by the presence of an abstract language freed from the representation of reality that goes alongside with another impressionist language able to go deeply in the reality and move towards an autonomy of colours, the whole is mixed with a wide range of colours which gives birth to optical mixtures seeking a figurative representation joined to an expressionist chromatic scale. I paint with oil, coupling a variety of techniques revealing dynamic transitions: between the traditional technique, on the one hand, with mixed colours on the palette with its typical brushstrokes, and on the other hand, the technique of optical mixing with pure colours, juxtaposed directly on the backdrop of the canvas reflecting the light of the Impressionists, the whole is successive layers of the abstract and to the nervousness of the expressionist touch. All ingredients of the material should be redesigned, interpreted and well directed to become more productive. The sure-realism: A new thought ? Since the end of the 19th century, artistic movements had succeeded one another and each new movement claimed to innovate. Postmodernism has ended with novelty, the notion of postmodern art implies the idea of breaking with the recent past by erasing time and space to make all culture immediately present, the past becomes a mere repertoire of forms. It was a reaction to the modernist theory and a rejection of the avant-gardes of the twentieth century, it is a replica against this historic linearity of art. Whereas art, like science, should continue its research without prejudices, without breaking. The new artistic experience I have developed is a reaction to the drift of the concept of postmodern art, the new “sure- realism” is in favor of an extension of the History of the Arts. Today, imperialism carried by cultural products (cinema, music, television, computer) or lifestyles (Western sports, Italian cuisine, Japanese) poses a challenge to thought and action; some see it as a risk of impoverishment of cultural diversity, even the domination of a certain conception of economic and social relations. The term universal civilization is in itself controversial. The sure-realism is a way of retaking history with a new look that is more extented in time and space, it is a way to trace the succession of universal cultural movements and to illuminate the areas that have remained obscure, technique of synthesis of a multicolored fabric often contrasted and sometimes contradictory, it is the art of reorganizing and harmonizing this beautiful human mosaic which must be perceived as a rich diversity to be valorized by an in-depth plastic research. As a thought, "sure-realism" is invoked to defend the legitimacy of cultural diversity, to challenge the cultural globalization that affects the socialization capacity of all existing cultures, to thwart the concomitant development of identity communitarianism based on a refusal of relativism and the affirmation of the superiority of one culture over the others, and finally, to live with dignity and stop the emergence of a common culture that threatens indigenous peoples . It is true that "sure-realism" is based on the principle of orchestrating diversity and harmonizing opposites, but it refuses to merge the opposites because merging two poles involves neutralizing their energy, resulting in a blurred and suspended identity. "Sure-realism" starts with preserving the path of its roots, keeping a certain uniqueness within a certain conception of diversity, it is a way to enrich the primordial identity in a coherence of the group, that is a harmonious cohabitation of differences. The sure-realism would thus be a cenacle that brings together the rationalism of Plato, Aristotle and Descartes with the romanticism of Schiller, Goethe, Novalis or Schlegel. It is an encounter between human reason and the expression of sensibility, it is the will to explore all the possibilities of art in order to mix: the infallible confidence in reasoning with the sublime mystery of the sensible, it is a space capable of assembling sentiment and reason. In the end, it is a matter of experimenting and plastically building up a certain theory of knowledge capable of mixing the sensible with the intelligible, reconciling all that is accessible to the senses, sensation and therefore to material reality with all that is accessible to intelligence, to the soul and therefore to what is spiritual. It is a question of analysing and expressing the world of sensitive appearances which are changing, elusive and in perpetual becoming, and joining it to the intelligible world, that of eternal and immutable ideas. The sure-realism, a new concept, a new movement? Under the name of sure-realism, I launch a new concept that I want to bear with integrity, authenticity and credibility. In doing so, he stands out from the surrealist movement of André Breton and invites to get into the heart of concrete and abstract things. Sure-realism would not be like the realism of the nineteenth century that is a mirror that reflects the reality as it is presented and not as it is in its fullness. The sure-realism claims to be able to go beyond the visible and make the facets that escape the mirror of Guy de Maupassant. It is the birth of a new contemporary artistic movement that defends the function of art as an instrument of knowledge. It's about giving proper importance to imagination and dreams beyond reason and logic in order to recreate and punctuate a new reality, giving it a new meaning and a new soul.Thus, the creation process could be free of all standardized forms because ultimately everything is relatively ephemeral,variable in time and space. Therefore, the artist must no longer stop at the stage of passive testimony acting as a standard or sacred optical reflection, and being often marked by a certain personal back-round, the artist should be free from any standardization. Of all times, the concept of standard has been the crucible of a philosophical dilemma, covering on the one hand the idea of what it is in reality, an empirically usual state, consistent with an average of the majority of cases, and on another, returning to an ideal of what must be, a model to be reproduced following particular principles. For some, the standard is simply a code of conduct and of conformity, for others it is a functional regularity which opposes irregularity and disorder, or which opposes the pathological and the morbid. The artist's mistrust in the "normalized" has the advantage of encouraging others to question the very foundations of standardization and shed light on the way how these rules interact and affect the fields of creativity. Enacting the art of standards according to a scientific methodology will turn artists into submissive beings; the artist should free himself from this standardization process, he should in no case become standardizer, it is his responsibility to set up a new archaeology of practices and knowledge in order to reveal new creation mechanisms previously analysed through former conceptual fields. Once edited, this Manifesto will mark the birth of a new contemporary artistic movement. A new artistic, space-time and analytical approach that could develop our too tight and limited habits of perceptions in time and space, innovating a new plastic writing capable of producing new aesthetic experiences. Mourad Elloumi « Beauty is an emotion and a movement of the mind that arouses the desire to understand » From Pictura by Leon Battista Alberti
The border area will be revived, lifting the largest military reservation ever.
The 336.99 million square meters, which is 116 times the size of Yeouido (29.9 million square meters), have been removed from military bases and military facilities. It was the biggest military facility reservation since the 1.71 billion square meters were removed in 1994. Analysts say that progress in inter-Korean relations, including the inter-Korean summit and the September 19 military agreement, was affected. The main opposition Minjoo Party and the government held a consultative meeting of the ruling party and the ruling party on Monday and announced that they have decided to lift the area in consideration of infringement of the property rights of residents. The area that was removed was one of the restricted zones of military facilities. Restricted zones are defined as zones within 25 kilometers from the Military Demarcation Line (MDL) or within 500 meters of major military facilities. Among the de-release areas, 63 percent are Gangwon Province and 33 percent are Gyeonggi Province. The border areas were mainly covered. Restrictions have also been lifted on Incheon, the West, Seocho-gu, South Chungcheong Province, Cheonan, Daegu and Jindo in South Jeolla Province. In these regions, new buildings or development projects can be built without consultation with the military authorities. In other words, when the area was restricted to a restricted area, the military had to consult with the military for up to 30 days, but this means that the military does not have to go through such procedures in the future. The Ministry of National Defense has also eased the 1,31.7 million square meters of control zone into a restricted zone. These include Incheon's Ganghwa Island, Gimpo and Paju, Gangwon Province, Cheorwon and Goseong, and parts of Jincheon, North Chungcheong Province. It is practically impossible to build a new building within 10 kilometers of the MDL or within 300 meters of major military facilities. Access procedures to civilian controlled areas where activities other than agriculture are restricted will also be simplified. South Korean Government is planning to install RFID (Radio Recognition) automation system at civilian access control center. The system creates an identification card in the form of a card with electronic devices and allows the card to be taken and entered into the civilian control line. The government plans to establish the system at 26 out of 48 immigration offices by 2020, and at the remaining 22 by 2022. The purpose of the move is to ease the inconvenience of each unit's personnel identification procedure. Large-scale deregulation appears to have been affected by radical inter-Korean relations. In the past, only areas that were requested안전놀이터 by local governments were discussed for lifting, but this time, regions that could be removed had to be identified in advance by the military in front. "We should consider the situation in which military tensions between the two Koreas are being eased," said Hong Young-pyo, floor leader of the main opposition Minjoo Party. "The area, which is 8 to 10 times larger than the previous one, has been removed this time," a government official said. However, Defense Minister Chung Kyung-doo stressed, "We have proactively and proactively reviewed measures to maintain a military readiness but to coexist with the residents." This remark was made in recognition of concerns that the removal of large-scale military reservation zones could lead to security instability. Residents of the border area, who had a hard time exercising their property rights, such as expansion or expansion, welcomed the move. Some even expressed expectations for regional development or demanded bolder deregulation. "The local economy will be able to revive," said an official from Hwacheon County, Gangwon Province, where the largest area has been removed. Other concerns were raised about real estate speculation, reckless development and environmental pollution.
Various shape & size point
Latest Works: "Color of Life" now showing at Sawdust Art Festival
Laguna Beach's Sawdust Art Festival opened its doors on June 29th, and runs through September 2nd, 2018. I'm exhibiting my newest (and best works EVER!) in Booth 514, so call me there and I can get you in. "Raven Sweet" is the inspiration for my latest series of original oil paintings measuring 42" x 58" and fine art giclée reproductions are available in small, medium, and large. You can view them on my website at, and also at amazon at Thanks so much for letting me share. I have been preparing my whole life for these new works … I am very happy at this time in my life and it shows on my canvases. The chemistry of paint coupled with the negative space the paint creates as it flows over the blank places is a wonderful experience and it gives me great joy.
You have
You have done a brilliant job making sure that people understand where you are coming from. And let me tell you, I get it. Please post more updates to cure.
Born to create
Nobody needs art to live, but what is life without art? I would like to introduce myself as a free thinking artist with an abstract graphic style. I don't just decorate a space or object, I try to transform it into an experience. If you are looking to customize your space with a mural or canvas; to add a personal touch to a gift or collectible; or for hand crafted design solutions, you need not look any further. I work with different surfaces such as (walls, wood, canvas, cloth, glass, etc) I work with enthusiasm and love. You will see your concept beautifully transformed while seeing meaning and your own personal touch. Recent projects include yoga hall, spiritual/ prayer room, cafes, living rooms, logos, t shirts, furniture as well as live art at concerts and shows. If my style appeals to you, I will be happy to hear your concept, and take part in the transformation of your art space, through my artistic vision and vivid imagination. You can find some of my work/ creations here: For any queries, I respond promptly to emails on: Here's wishing you a magical day! 😇
Long Established Gallery for SALE
Anybody interested in taking over this profitable Gallery with 30 years history? Location is the key, in Bar Harbor, Maine. close by Acadia National park. SEASONAL, only need to be there for 5 months. A rare opportunity in the most visited town in US. I am moving to HI, too much a travel for me. I have it little over 10 years. contact me at:
Jab Jab Whammo :round 2
My latest art book is now available for sale. Check it out and feel free to share. #jabjabwhammotheartofrafaelrivera #selfpublishedauthor #independantartist #artbooks #fantasyart #horrorart #comicart #caricature #conceptdesign #gameart #creaturedesign #blurbbooks #boxing #thesweetscience
Abstract Paintings of Tamal Sen Sharma
Most welcome to visit the site. Abstract art displayed here created by Tamal Sen Sharma .
Abstract Black and White painting by Tamal Sen Sharma
Untitled Mixed media
Art of Tamal Sen Sharma
Most welcome to visit the site. Aprrox 200 abstract paintings created by him displayed here.
Looking for a job opportunity
Hi, My name is Faeza, an artist of mainly Oil and water colors. I would like to thank God for getting the chance of involving with all artists in this respectable network. I am currently looking for a job opportunity suits my background of work experience, as i have worked as researcher and lecturer at Al-Hodiedah University one of Yemen Universities for long term and recently i worked as a curator at the Islamic Art Museum in Malaysia. I would be really thankful for anyone guides me to the right direction. Wishing you all the best of the best life. Cheers! :)
Graphic Design Work
Hey everyone, my name is Zach and I'm a freelance graphic designer specializing in... – T-shirt designs (one color to multi-color) – Logo designs (one color to multi-color) – Print work (brochures, business cards, flyers, etc.) I would love to work with you! Click on the link below to check out my portfolio and let's work together! **Prices may vary depending how simple or complex of a design you are looking for.** Contact with me with what you are looking for and I can give you a more accurate price. - My prices may be more reasonable than you think :)
Anstalin was born on 19th November 1992.His native place was Midalakadu.He completed Bachelor of Engineering in Mar Ephraem college Of Engineering and Technology,Elavuvilai under Anna University Chennai in the year 2014. His father name was Selvaraj and his mother name was Laila.His father was Daily Wager !
Imagery From Beyond...Coloring Book for Grown-ups
We just published a new coloring book ‬ for adults. There are 62 ‪colorable‬ pages containing 31 original designs (b/w hand-drawn ‪abstract art‬ -- no computer designs) + 31 pages of positive affirmations to color with previous page's design faded in background. "Imagery From Beyond". (Blank page on reverse side to prevent bleed through.) Here is the link on Amazon:
Abstract paintings of TAMAL SEN SHARMA
I would like to characterize my work as the representation of some conscious and unconscious thoughts which mingle together and thus a spiritual power force me to play with colour and give them shape.
Touched by a goose
Tinicum art festival 2015
Painting is my opium
Painting is my opium Painting is my opium, my weed, my sedative and my weapon. It helps me to see far and beyond, love more and feel more. It is my craziness and my wisdom. It unites me with nature, animals and human beings. It takes me far into the deep sea of unconsciousness Where I meet with the hidden and can not be told. Painting is my light, my prayer and my sacred temple. It opens the way to the way. It is my love to a particular woman, a child and a friend. It teaches me to love all human regardless of race, religion or nationality. Painting is my Garden of Eden where I am Adam and Eve, the serpent and the creator. It is my hell and paradise .It is my prayer and my song. It is my music and scream, my peace and war. It is my tool to understand life and death. It helps me survive and find beauty in ugliness, meaning in meaningless and love in hatred. Painting make me a mystic, a dancing Gypsy, worshiper and a prophet .It is my dream and my nightmare. It is my language, my poetry, and my wings. It is my freedom and prison. It makes me the richest man in the world. Painting is my kingdom, you don't need to knock the door is open, don't ask and you will be given. Painting makes me the king and the servant. Painting is my wine, come my friends and visit me, lets be drunk and stoned. Please come to my island, my refuge and the city of Gods. Painting is my wings. It takes me to the future and to the past. Painting is my long journey to the deep well of my soul. Painting is my language, my music, my cinema and me the real me. Painting is my geography and history ,my science and superstition , my alchemy and my magic , my inner biography and my diary . Painting is a flood coming from unknown source, from a deep archived memory. Painting is a race between my tools and my continuous changing dreams. I dream to paint my dreams, useless, useless, I only grasp a few line from a very long poem. I paint to sleep, wake up, and to tell my self my story, my hope and my despair. I paint my love and joy, my inner feelings and the world outside, my laughter and my tears. I paint what I know and what I don’t fathom. I paint from the border of hallucination and reality. I paint to live, to run away from death and to make my world tolerable. I paint to forget, to remember, to breathe, and to keep my head above water to show or to run away from reality. My painting is a war against all wars, to make peace with the world, nature and my self. It is continuous war with my colors and my brushes, with my ideas and the medium, with my feelings and with my style, and no peace in the horizon. It is unfinished revolution, my scream in the face of cruel and absurd world, my dictionary and my guiding star in my journey to the unattainable. I paint to show where I am going and from where I come from. Mahmoud Zayed Ottawa/ 2008
Marco de Piaggi on Immo Jalass
RadaЯ - Architectur & Art, Marco de Piaggi The artist: Immo Jalass is a German artist known in The Netherlands for his work at the end of the sixties that culminated in an group exhibition at the Stedelijk Museum in Amsterdam in 1969. In the new millennium, the artist has dedicated himself to computer art. After replacing the easel with a computer monitor and the palette of oil colors with digital graphics programs he is creating digital images that are printed in only one certified copy on different media according with the practical and aesthetic needs and demands. The images presented by the artist are imaginary landscapes, abstract expanses or shots of cities that seem to be taken on another planet. The technique and the title of the exhibition: Immo Jalass starts with free composition, photos or parts of photos, sometimes photos of a city and details of buildings. In this sense he sometimes "steals" images from the reality. Later on (in front of his "digital canvas") he begins to treat the images, to distort them, to cut them, to remove or add details, colors and elements from other photos or god knows from where. This process of "mystification" of the reality leads to the creation of an image that overtakes and goes beyond reality itself. The pictures: In his bewildered landscapes Jalass captures the grandeur of the space between the speed of light and the perpetual change and through the computer he freezes and crystallizes this vision into an image that takes on aspects of meditation and contemplation, or to put it in the words of the artist into "images that rest in the movement”. The use of the computers is fundamental in this process of crystallization of the speed and the change (or "carpe diem"). Unlike canvas and oil paint the computer allows the creation and variation of many images in a very fast speed. Jalass is always in search of landscapes that contain or at least make you presume "totality": the total image that can awake in the viewer associations of omnipresence (ubiquity). The search for an image that contains and sustains all the images is the goal of Jalass and even though this is, according to the artist, a "a pure ideal impossible to realize" we remain with the “partial” images - on show in the gallery Radar - as a documentation of a valuable artistic and meditative research. The concept: According to Immo Jalass the "concept", "conceptual art", "art without concept” ect. are scaffoldings often created due to the lack of free and "primordial creativity”. On the other hand - says the artist - culture creates these scaffoldings for the purpose of development. Between these two extremes ("primordial creativity" and “cultural concept”) there is the ultimate picture, the work of art. Conceptual art in the seventies led to the definition of "everything is art” and the same Jalass has played an active role in it with the project to exhibit the family van Dijk at the Stedelijk Museum in Amsterdam. Today Immo Jalass is in search of total images that act as smart structures and are opposed to found structures. The goal of Jalass is to create for the viewer worlds of images of infinite vastness (through imaginary landscapes) that are both exciting, eerie, inspiring, images that should therefore be seen as "moments of eternity”.
Solomon Walker on Immo Jalass
Solomon Walker Founder/CEO at MUSEUM of DIGITAL FINE ARTS Immo Jalass is an autodidact.; a self-taught extraordinary creative artist, whose vast body of captivating artwork journeys through several fertile decades, touching on nearly all the major art movements of the 20th century. And, given all that, the most surprising thing about Immo's artistic output is, that the work remains unique and totally Immo Jalass, even in this early dawn of the 21st century. Teamed with an enthusiastic curiosity that fuels his vision, his creative input and output is tremendous.He is a thoughtful and generous being, who is always ready to share his knowledge and to lend assistance to his fellows. I highly recommend Immo Jalass for any artistic endeavours he pursues or that are proposed for him; and of course, I highly support and recommend his artist work to buyers and collectors at all levels. See my solo exhibition at the MoDFA - Museum of Digital Fine Art
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Art of Tamal Sen Sharma
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